How To Say No

A theory: teaching someone to say “yes” and be on board is important but straightforward.

Teaching someone how to say “no” to things that are bullshit in a way that does not stop the scene is much trickier, and therefore a more valuable skill.

AGREE WITH ME OR YOU ARE A BAD IMPROVISER

EDITED MUCH LATER TO ADD:  I didn’t mean to imply that someone’s MOVE —- someone’s improv decision —  would be bullshit. I meant more that characters will offer to other characters circumstances that few people would ever accept, and that knowing how to say “no” — in character — to things because they are bullshit situations you would not put up with in real life is an important skill. Bullshit circumstances offered to a character, not bullshit moves. Though I can see how in re-reading my post it looks like I said “bullshit moves.”

  1. dinorah-tt-karrels135 reblogged this from improvnonsense
  2. upstairsgallery reblogged this from downrightupright and added:
    We’ve gotten away...theory stuff here at...ole Upstairs...
  3. downrightupright reblogged this from improv-is-easy
  4. poupak reblogged this from improv-is-easy and added:
    Ultimately, don’t judge your scene partners seems to be the best advice. Ever. Great post.
  5. improv-is-easy reblogged this from shortmikeshort and added:
    (I see what you did there, Will.) Been thinking about this one… I’m not 100% sure what entails a bullshit move (unless...
  6. shortmikeshort reblogged this from ryanjameshitchcock and added:
    I guess I’m a bad improvisor. Alternatively, we could teach our improvisors to not make moves that are “bullshit.”
  7. ryanjameshitchcock reblogged this from improvnonsense
  8. improvnonsense posted this
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